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Master Rights

Ownership stakes in the recording itself.

The "master" is the actual sound recording — the specific recorded performance of a song, as opposed to the underlying composition. Owning master rights means owning a share of that recording and the income it generates whenever it is streamed, sold, or licensed. On IPexchange, artists sell fractional stakes in their masters, so a buyer can own a defined percentage rather than the whole thing.

What you actually own

A master rights stake is an ownership interest in a specific recording. If you buy 10% of a master, you are entitled to 10% of the revenue that recording earns from its exploitation — streaming platforms, downloads, physical sales, and recording-based licenses. The percentage you hold is recorded on the work’s ownership split (its cap table), alongside every other holder.

How the deal works here

The seller lists a work and decides how much of the master to offer and in what increments — for example, up to 50% available in 5% lots. You purchase the stake through IPexchange in a one-time transaction. From that point, your ownership is on record. The recurring royalties themselves are paid out by the platforms and collection bodies that exploit the work — they flow directly to rights holders, not through IPexchange.

What changes for the seller

A seller who sells 20% of their master keeps 80% and continues to control and earn from the majority. They receive the one-time sale proceeds now, in exchange for a share of future recording income. Sellers typically do this to raise capital up front while retaining creative control and the larger share of long-term upside.

What the buyer gets

  • A recorded ownership percentage of the master recording
  • A proportional share of that recording’s exploitation revenue
  • A position on the work’s official ownership split

What the seller gives

  • A defined percentage of future recording income
  • Nothing of the composition/publishing (that’s separate)
  • No loss of creative control over the remaining share

Who it's good for

Artists who own their recordings and want up-front capital; buyers who want exposure to a recording’s streaming and licensing income.

Browse master rights List your work

This page explains how these deals generally work on IPexchange and is for information only — it isn't legal or financial advice. The exact rights, obligations, and terms of any deal are defined in its contract. Review each agreement carefully and consult a qualified professional before buying or selling.

Other deal types

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Publishing Deals
Stakes in the songwriting and composition.
⏱
Time Licenses
Time-limited usage rights, not ownership.
📱
Content
Exclusive spoken-word video — tutorials, lectures, podcasts — licensed to one buyer.
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Syndication
License your content for others to re-post — the authorized way.